{"id":55943,"date":"2023-11-22T14:08:58","date_gmt":"2023-11-22T14:08:58","guid":{"rendered":"https:\/\/www.barcelonaobertura.com\/2023\/11\/maria-callas-visit-to-barcelona\/"},"modified":"2023-11-23T15:01:23","modified_gmt":"2023-11-23T15:01:23","slug":"maria-callas-visit-to-barcelona","status":"publish","type":"post","link":"https:\/\/www.barcelonaobertura.com\/ca\/2023\/11\/maria-callas-visit-to-barcelona\/","title":{"rendered":"La visita Maria Callas a Barcelona"},"content":{"rendered":"\n

El 5 de maig del 1959<\/strong> a les 19.00h de la tarda es gaudia a Barcelona d’una temperatura agradable de 17 graus. Tres hores m\u00e9s tard es produiria un esdeveniment \u00fanic i especial, el debut al Gran Teatre del Liceu de l’exitosa diva Maria Callas. Com era la vida a la Barcelona del moment? Qu\u00e8 m\u00e9s passava a la ciutat? Quins llocs va visitar la cantant?<\/p>\n\n\n\n

Aquella nit a Barcelona…<\/strong><\/p>\n\n\n\n

Viatgem a un dimarts del mes de maig. M\u00e9s de deu teatres de la ciutat tenien programades diferents funcions. Al Teatre Apolo estava en cartell la fr\u00edvola revista musical Toca’m, Roque!<\/em> amb la vedette Queta Claver. Al Teatre Com\u00e8dia la companyia d’Aurora Bautista interpretaven \u201cLa gata sobre la teulada de Zinc<\/em>\u201d de Tennessee Williams. Tamb\u00e9 hi havia previstes funcions al Teatre Romea o al Teatre Victoria. Totes aquestes representacions tenien dues sessions, a les 18.15h de la tarda ia les 22.45 de la nit. La vida cultural de la ciutat s’acabava molt tard.<\/p>\n\n\n\n

A banda de l’oferta teatral, el lleure cinematogr\u00e0fic no es quedava enrere. Al Cine Capitol estava triomfant la pel\u00b7l\u00edcula \u201cSecret\u00e0ria per a tot<\/em>\u201d amb Carmen Sevilla de protagonista. Al Cinema T\u00edvoli es podia gaudir d’un \u00e8xit internacional, \u201cLa meva desconfiada esposa<\/em>\u201d amb Gregory Peck i Lauren Bacall. I al desaparegut Cine Alexandra es projectava la com\u00e8dia italiana \u201cAdorables i mentideres<\/em>\u201d de Nunzio Malasomma. Avui aquest cinema no existeix com a tal, per\u00f2 encara es pot visitar l’espai que ocupava la sala de projecci\u00f3 i imaginar-nos com serien aquelles sessions. La sala est\u00e0 situada a una famosa botiga de roba a la Rambla de Catalunya amb el carrer Mallorca.<\/p>\n\n\n\n

Tebaldi o Callas?<\/strong><\/p>\n\n\n\n

A l’ambient oper\u00edstic de la ciutat, el p\u00fablic de llavors estava lliurat a la veu i l’estil de la soprano Renata Tebaldi. La relaci\u00f3 de la cantant amb Barcelona era id\u00edl\u00b7lica i era considerada l’aut\u00e8ntica reina del Liceu. Tot i la rivalitat existent entre els aficionats de la Tebaldi i de la Callas, la insist\u00e8ncia de l’empresari del teatre Joan Antoni P\u00e0mies el va portar a aconseguir un dels esdeveniments m\u00e9s ambiciosos del moment, aconseguir que Maria Callas cant\u00e9s a l’escenari catal\u00e0.<\/p>\n\n\n\n

Segons va explicar el mateix P\u00e0mies a un periodista, la tasca de conv\u00e8ncer la Callas la venia treballant des de fa tres anys i va obtenir el s\u00ed de la cantant nom\u00e9s un mes abans del concert. En aquesta mateixa entrevista l’empresari del teatre esmenta literalment \u201cLa Callas la tinc a la butxaca\u201d. En l’esfor\u00e7 del teatre per tancar el contracte es van arribar a parlar de xifres molt altes, 6.500 d\u00f2lars de mem\u00f2ria cau per a la int\u00e8rpret. Per tant, el preu de les entrades havia d’augmentar i es van establir entre les 50 pessetes (com costava una planxa per a la roba) i les 500 pessetes (el mateix que costava una estada de dos dies a la Costa Brava o un vestit) de primera comuni\u00f3.)<\/p>\n\n\n\n

<\/p>\n\n\n\n

L’arribada a l’Aeroport del Prat<\/strong><\/p>\n\n\n\n

Tres dies abans del concert Maria Callas tenia prevista la seva arribada a Barcelona. Segons sembla, la cantant tenia intenci\u00f3 de passar uns dies a la ciutat per con\u00e8ixer el p\u00fablic i saber \u201ccom dirigir-los el missatge del seu art\u201d. Finalment va arribar a l’aeroport del Prat un dia abans del concert. Venia d’inaugurar a Madrid la temporada d’\u00f2pera del Teatre de la Zarzuela. Viatjava amb un extens equipatge i amb un malet\u00ed carregat de joies valorades en 20 milions de lires. L’acompanyaven el seu marit Giovanni Battista Meneghini i la seva mestra i descobridora, la de Terol Elvira Hidalgo. Al mateix avi\u00f3 tamb\u00e9 venia la pol\u00e8mica periodista Elsa Maxwell, que va acompanyar la cantant en diferents visites i sortides que va realitzar per Barcelona. <\/p>\n\n\n\n

L’arribada a terra catal\u00e0 era tot un esdeveniment ia peu de pista va tenir una gran rebuda. El van obsequiar amb un ram de gard\u00e8nies que va agradar a la cantant. Entre les persones que la van rebre tamb\u00e9 hi havia el fam\u00f3s tenor Alfredo Kraus. Sabem que es va allotjar a l’Hotel Ritz, ara conegut com l’Hotel Palace i que quatre hores abans de la seva arribada, vuit homes havien pujat un piano a la suite r\u00e8gia de l’hotel.<\/p>\n\n\n\n

<\/p>\n\n\n\n

L’actuaci\u00f3 al Gran Teatre del Liceu<\/strong><\/p>\n\n\n\n

\"\"<\/figure>
\n

Tot i el preu de les localitats, el teatre es va omplir. Les entrades es van esgotar molt r\u00e0pid <\/strong>i fins i tot la revenda va arribar a preus molt elevats. El p\u00fablic barcelon\u00ed, encara que era fan de La Tebaldi, estava expectant per escoltar La Callas<\/strong>. <\/p>\n\n\n\n

El repertori del concert va estar compost per \u00e0ries de diferents \u00f2peres, Don Carlo <\/em>de Verdi, Mefistofele <\/em>de Boito, la famosa Una voce poco fa <\/em>d’El barber de Sevilla de Rossini, el vals de Musetta de La Boheme de Puccini, l’escena final del 2 acte d’Il Pirata de Bellini i la famos\u00edssima \u201cVisi d’art<\/em>\u201d de Tosca de Puccini. Just en aquell moment, des del p\u00fablic es van sentir crits de \u201cViva Tebaldi\u201d. <\/p>\n\n\n\n

<\/p>\n<\/div><\/div>\n\n\n\n

L’orquestra del Gran Teatre el Liceu dirigida per Nicola Rescigno va ser l’encarregada d’acompanyar la cantant. Tamb\u00e9 van interpretar les obertures de Der Freischutz de Weber, La for\u00e7a del dest\u00ed de Verdi i L\u2019Italiana in Algeri de Rossini. El p\u00fablic es va mostrar una mica desanimat fins que, a la segona part, la Callas va aconseguir ficar-se al p\u00fablic a la butxaca.<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Quan el Liceu tanca, la nit continua.<\/strong><\/p>\n\n\n\n

La vida cultural i de lleure de Barcelona s’acabava molt tard i despr\u00e9s de les funcions d’\u00f2pera i de teatre el p\u00fablic solia acudir a alguns espais elegants de la ciutat que esdevenien \u201cPunt de reuni\u00f3 a sortida del Liceu\u201d. Aquest \u00e9s el text que apareix en un cartell de la P\u00e8rgola. Era el restaurant de moda de la classe alta de Barcelona. L’any 2014 es va enderrocar despr\u00e9s d’estar molt de temps en des\u00fas. Estava situat al costat de l’actual Caixa Forum a Montju\u00efc. Just davant de la Font M\u00e0gica. Un altre dels restaurants famosos de la ciutat recorda en la seva hist\u00f2ria que la cantant hi va ser. Es tracta del restaurant Les 7 Portes<\/a>, situat davant de la Llotja de Mar i que encara es pot visitar.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Continuar\u00e0…<\/strong><\/p>\n\n\n\n

Ah, tenim pistes que el 1974 la Callas va tornar a visitar Barcelona, \u200b\u200baquest cop d’inc\u00f2gnit<\/strong>. Pel que sembla va voler acompanyar el seu gran amic i cantant Giuseppe di Stefano a un enregistrament que va realitzar amb Montserrat Caball\u00e9. Per\u00f2 aix\u00f2 \u00e9s una altra hist\u00f2ria.<\/p>\n","protected":false},"excerpt":{"rendered":"

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